Katie Haegele’s language-centric zines grew, quite appropriately, out of having something to say, but nowhere to say it. (more…)

Like countless other works of art, Aaron Lake Smith’s zines were born out of boredom.  The author of Big Hands and Unemployment recalls how he got started in writing, in 2004: “I spent a summer living in a moldy garage behind an anarchist collective in Greensboro, North Carolina. All my friends were gone, and I had nothing else to do.” (more…)

Zine Scene is a new weekly column where you can learn about new and established zinesters, as well as other people from inside the scene as they talk about their experiences in the unique and fascinating world of independently published media. (more…)