ALARM #30 April / May 2008
April / May 2008 Issue #30
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The Mars VoltaProg-rock poster boys The Mars Volta have released their most dynamic album to date with The Bedlam in Goliath. Author Tom Vale speaks with the band about its misconceptions, inspirations, live prowess, and recent personnel change. |
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DeVotchKa
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Exploding Star OrchestraAuthor Charlie Swanson speaks with Rob Mazurek who is regarded as a master cornetist and conductor working in avant-garde, free-jazz styles. |
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The Raveonettes
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WitchALARM was so excited by news of Witch’s second full-length, Paralyzed, that we couldn’t even wait for the Brattleboro VT four-piece to end production before we started harassing bassist Dave Sweetapple about it on the phone. Bye Bye Birdie, or Misery? You decide. |
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HorrorpopsFront woman for the LA by way of Denmark psychobilly outfit Patricia Day dishes with ALARM’s Waleed Rashidi about film noir culture, why the 80s revival is so lame, and the makings of the trio’s new record Kiss Kiss, Kill Kill. |
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TinariwenGuitarist/vocalist Ibrahim Ag Alhabib, whose father was killed by Malian fighters, fought for Tuareg independence in the 1970s and ‘80s. He co-founded Tinariwen in 1982 at a Tuareg military training camp, practicing guitar between military exercises. Author Mark Sanders profiles the band. |
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Illuminated Manuscript: Light GraffitiAuthor Rihoko Ueno speaks with Evan Roth, co-founder of Graffiti Research Lab along with James Powderly who outfit graffiti artists with open-source technologies for urban communication. |
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Dominic McGillAuthor Summer Block speaks with multi-media and performance artist Dominic McGill. “There is a vast gulf between artist and collectors. But artists can no longer think of themselves as independent of the system, they should consider themselves complicit. Art is the ultimate consumer item.” |
Music FeaturesMike Ladd |
Art, Books & DVDsDanny Jauregui |










